The Scarlet Letter free essay sample

Sin is the main theme in The Scarlet Letter. All of the characters in the book were somehow affected by the main sin, which was adultery. The three main characters were the most widely affected, and their whole lives were molded by the way they dealt with the sin. The sin surrounds, encloses, and strangles them. There was no escaping from its cruel consequences. Hester Prynnes sin was labeled an adulteress, and the result of this was that she had to wear the scarlet letter A. She feels that her sin has taken away everything she had, and given her one thing in return; that is, her baby. Although she had dignity and pride when she first stepped out of the prison and when she stood upon the scaffold this A alienated and separated her from the community, and she stood alone with her child as she does for the most of her life following this event. We will write a custom essay sample on The Scarlet Letter or any similar topic specifically for you Do Not WasteYour Time HIRE WRITER Only 13.90 / page From then on, she had to live away from the community with her baby, Pearl, and was shunned by everyone. The sin she committed made her think that death would be an easy way out and that she deserves little, for she says, I have thought of death, have wished for it, would have even prayed for it, were it fit that such as I should pray for anything (Hawthorne 138). Throughout the next years, the sin Hester committed changes her whole life. Once she was a beautiful woman, Hester now looks Swallowed up by life. Once passionate, she is now serious. She had a quality of womanhood that has now faded away. Her plain gray clothes symbolize her temperament and disposition. There are also good effects that the sin has on her. She becomes more giving and caring, and is endlessly helping the poor and sick and doing neighbors favors. Hester feels that she owes these things to the community, and is also forcing herself into submission for the community. The sin stays with her throughout her life, and even when she leaves her town, she feels obligated to come back and complete her punishment. The sin made her lifestyle worse, but it changed her character for the better. Arthur Dimmesdale, a reverend in the Puritan Church, committed the sin of adultery with Hester. The difference between their cases was that Dimmesdale did not confess until seven years after the crime was done. Although he never received a punishment from the government as Hester did, he punished himself Everyday. He was tortured with guilt in his heart; as a result, carried out fasts, and other physical damage to himself. As a result of not confessing his sin, he despised himself more than anything. The fact that his parishioners love him more than they had after he told a sermon about hypocrites makes him loathe himself so much more. Over the seven years that this story takes place in, Dimmesdale becomes very ill. He becomes pale, nervous and sickly. After a while, it gets to the point where he uses a cane to walk, and people were afraid for his life. The reason for his illness is not any disease, but the effect of sin and guilt on his shoulders. After putting himself through a living hell for seven years; finally, Dimmesdales dying words are his confession. Roger Chillingworth comes to Boston to find his wife, Hester Prynne. When he arrives, she is standing upon a scaffold with a baby in her arms. After finding out what was going on, the first thing he says is It irks me, nevertheless, that the partner of her inquity should not, at least, stand on the scaffold by her side. But he will be known! he will be known! he will be known (Hawthorne 186)! This foreshadows the sin that he commits, which is greater than Hester and Dimmesdales. Chillingworth spends his entire life trying to finding Hesters partner in crime and punishing him. He suspects Dimmesdale and so becomes his doctor and moves in with him. Once he was certain of him; in addition, he keeps him alive to live in agony. The effect of his great sin on his own character is that of a complete transformation to evil. His physical characteristics become twisted and corrupted;as a result, as does his soul and life purpose. His one-track mind leads him to eventual self-deterioration. He is the worst sinner in the book, and once his demonic transformation was complete, there was no turning back. The way sin affects the lives of the characters in the book, and the way they each deal with it is enlightening;however, still unsettling. In a way, we can see why the characters acted the way they did, but its unsettling to see them end up the way they did. If there is one thing to learn from The Scarlet Letter, it is not to give in to sin, and if you already have, own up to it and learn from it. After reading this novel, many may find themselves questioning, whose sin was the worst? Opinions may differ, but one character stands out from the rest. Minister Dimmesdale committed the worst sin, because not only did he commit adultery, he kept his sin hidden from the world, punishing himself; then, preaching the importance of repentance and forgiveness. He adds hypocrisy and deceit to his sin, while his conscience slowly eats away at his soul. In Conclusion, Throughout The Scarlet Letter by Nathaniel Hawthorne, the effects of sin on the mind, body, and soul of Hester, Dimmesdale, and Chillingworth are all visible even though there are manifested in different ways for each character. Each of the three are living an enormous burden of sin and each reflects the inner torture inflicted by carrying around such sin in differing ways.

How to Create Believable Characters in Short Stories

How to Create Believable Characters in Short Stories In the creation of a short story, one only has a very short window in which to convey the full range of a character. A short story is typically about five thousand words or less which is roughly about ten pages. Within those ten pages you need to be able show, not just the character but also the setting, plot, and the different scenarios leading up to the climax. How do you create a character in depth when you only have such a limited amount of words to do so with? By utilizing every single sentence you write to show things about the character. Don’t spend valuable words describing a character when you can show the character through dialogue and actions. Let’s say your heroine has long black hair. Saying that she has long black hair would describe her, but in a wasteful way since that statement does nothing but tell the reader that she has long black hair. Instead, why not show her impatiently pulling on her hair as the strands stubbornly coiled around her glistening arms like sinuous black snakes. With this second description, you’re not only telling the reader that she has long black hair but you’re also telling them that she’s in a hurry and is impatient with how her hair is sticking to her arms. Her arms are wet, could be raining or perhaps it’s sweat. The fact that strands of her hair are able to coil around her arms tells the reader that it’s pretty long. Long enough to tangle around her arms. Using black snakes as a symbolism not only tells the reader that she has blac k hair but also sets the stage for something suspenseful to happen. In a short story there’s only so many words to set the stage for climax so they need to be carefully chosen in order to convey multiple meanings. Make dialogue and attitude count for your character. Everything that’s said needs to show who and what the character is all about. Using a dialect can tell the reader where the character comes from. Create attitude for the character through how they talk. Use slang. If one is trying to show a nervous man, there’s no need to come straight out and say that he’s nervous and stammers a lot. Show it in his actions and the way he talks. Describe him looking down at his feet with hunched shoulders, trying to get a sentence out. Show him breaking up the words such as, â€Å"Sh†¦she, umm, she went over th†¦there, that way.† Have him push his glasses up on his nose with trembling fingers and tilt his head slightly to peer at the other person through his lens. These kinds of statements keep the story moving along while imparting a tremendous amount of information about this particular character. Immediately one starts to sympathize with this guy. The writer shows him either as a painfully nervous character or someone who is scared to death of something that’s happening or going to happen. It makes the reader want to keep going so they can find out exactly where the cause of his discomfort is coming from. Your goal as a short story writer is to create characters that are believable to the reader without them ever knowing that you’re telling them. Make it so that they feel as if they’re figuring it all out and picturing them in their minds. By doing so, you’ll carry the reader right along to the end of the tale.

Contract Cost and Documentation for the Navy Assignment

Contract Cost and Documentation for the Navy - Assignment Example Contract cost includes the strategies for controlling various kinds of cost associated with the contracts or agreements of the company. The strategies of contract cost help to provide different kinds of products to the Navy, so that the customers can justify the billing procedures and other costs related to the services of Lester Myers Inc. The documentation process helps the company to check the working process including the paper works with the aim of ascertaining accuracy of billings. The documentation process is adopted in order to minimize the effects and maintain the quality of services or products (Urizar, 2013). In the negotiation process, Lester Myers Inc. provides a low price facility to the Navy. It helps Navy to purchase the products or services from Lester Myers Inc. in bulk quantities, which increases the sales percentage of Lester Myers Inc. The company should implement an efficient payment facility to retain Navy’s contract as well as trust. If the payment facilities do not provide benefits to the Navy, then disagreement will be witnessed in the contract, which will not be efficient for the business relations. In addition, the company should focuses on the ways by which it can control as well as increase the working capital and cash flow within the same. Lester Myers Inc. provides credit facilities for the Navy, so that the customers get the chance to pay the amount over time. Credit facilities include partial payment facilities reducing the stress of bulk payment, which could be riskier for the Navy (Scheer, 2013). The company should provide monthly or periodically installment payment facilities, which in turn helps the Navy to feel free from the payment burden and pay periodically or monthly. The company can provide multi channels for the payment such as online facilities or other credit and/or debit card facilities to make payment process easier for the Navy. The

L'Oreal Global Marketing Strategy Case Study Example | Topics and Well Written Essays - 5500 words

L'Oreal Global Marketing Strategy - Case Study Example Head-quartered in the Paris commune of Clichy, France, the L’Oreal Group is the world’s largest cosmetics and beauty company. It has established activities in the field of cosmetics, focused on hair-color, skin-care, sun fortification, make-up, fragrances and hair-care. It is vigorous in the dermatological as well as pharmaceutical fields. In the United States, it is the paramount nanotechnology copy-right holder. According to a case study in the year 2005, the L’Oreal group, whose worth was $18.89 billion, was declared as the largest and the most successful cosmetics company round the globe, with more than seventeen international hallmarks (Case Study, 2005). Moreover, Business Week Inter-band survey ranked L’Oreal on the 49th position in August 2004, since, its brands were valued at $5902 million. L’Oreal extended its business in 150 countries by putting up on sale a wide range of make-up, fragrances, hair and skin care products to both men and women. As noted by Morais, L’Oreal sets itself apart from other brands just because of its reliability over time since it merges the double-digit top-line growth of a hot technology company with the bottom-line comforts of a well-run bank (Morais, 2000). 2. The Marketing Process L’Oreal finds itself in the situation of the most prosperous hallmark as it serves as the basis for identifying opportunities in order to satisfy the unaccomplished customer needs and requirements.... The mission of L'Oreal Group aspires to bring to reality the urge for men and women to look beautiful and aesthetic with time. This mission has always been of prime significance in for the company. As far as the marketing investments are considered, although 90 percent of the investments are accounted for by the investment in brand contacts, until now there hasn't been any tool which allows the managers to identify, a consumer perspective, the most efficacious set of contacts in which to invest. However, L'Oreal Group has described a tool which empowers the brand owners and marketers to identify and select the crucial contacts which are relevant for a particular brand. Moreover, in order to integrate across these key contact points, L'Oreal delivers brand experience through a relevant and pertinent set of consumer brand which encounters at a minimum cost, but with maximal impact. Moreover, it focuses on the metrics which can be used to inform a variety of significant decisions in the context of managing brand contacts. The essential marketing principles make it accessible for any business to survive in the market in an efficacious way as it encourages the businessmen to apply them to aspects of their daily lives as well (Jobber, 2007). In context of the first element of its marketing process, it is the company's distinct expertise of beauty that exists for the reason that it believes in beauty which is all the more unique and diversified that any

Legal Regulation of the Pornography in the 21st Century

Legal Regulation of the Pornography in the 21st Century â€Å"The legal regulation of pornography in the 21 st century in the United Kingdom† Abstract: Pornography accompanied humanity for a long time though the expressions of pornography vary with time and technological progress. Previously, the pornography industry was concentrating mainly in painting, with the invention of printing the pornography was widespread, later on with the invention of photography it led to the dissemination of pornographic pictures, furthermore the invention of cinema led the pornographic films in a similar vein and now video web, soon joined the pornography industry. Proper social and legal attitude toward pornography is a controversial subject for many years, some think about pornography in terms of obscenity breakthroughs based on religion or morality and refuse to discuss the problem or give it attention, others think of pornography in terms of liberal sexual liberation and freedom of expression and catch it embodies basic rights that protect them from oppression and mute. In the 70th new sound was heard the female voice is also joining the feminist opposition camp, as demand for gender equality and concern for the status of women. The problem of pornography remained a debate that hadnt been decided and resolved; the subject of pornography raises difficult issues relevant theoretical and philosophical issues of ethics, morality and arouses many legal disputes. In the following paper I will review the phenomenon of pornography in the United Kingdom in the context of the definitions, legal aspects and the developments. Furthermore I will analyze the problems that come with the pornography, the harm and the influence that it has on the children and youth. The main argument of this paper is the use of the freedom of expression to protect pornography. Other not less important argument in this paper deals with the question â€Å"whether the society does enough to protect young children and the next generation from the harms of pornography?† And eventually I will conclude the topic by including some suggestions for the future. Introduction Defining Pornography One of the main problem with the pornography is the fact that it is not defined in a clear definitions that can refer to each person individually. According to the online vocabulary the pornography is defined as â€Å"The explicit depiction or exhibition of sexual activity in literature, films or photography that is intended to stimulate erotic, rather than aesthetic or emotional feelings†. Any material such as pictures, videos, CDs, books or even words that are sexually explicit qualifies as Pornography. The definition explains the meaning of the pornography by saying that pornography involves more physical feelings rather then the emotion feelings, but the definition is not explaining the meaning of the term â€Å"Sexually explicit†. Thats when the definition problem plays the key role, how can we define what sexually explicit is when each person sees and understand things differently based on their culture, religion and personal preferences and morals, in certain countries showing womans uncovered ankles is considered as sexual explicit while in most of the modern western countries bare ankles, arms or even belly is not considered as anything unusual, however even in modern society some materials still count as sexually explicit such as representation of sexual acts in a written or visual way and a demonstration of very intimate exposed body parts such as the genitalia . The contradiction here is that an important question can be a raised â€Å"Does medical book considered as pornography?† based on the fact that Medical books contain demonstration of exposed genitalia pictures. The answer is that anatomy medical books are not viewed as pornography because of its purpose, the purpose of the anatomy book is to educate and give necessary information to the medical student it does not involve entertainment or stimulation of the viewer. According to the Etymology (Study that deals with the history of the words and how their form and meaning have changed over the centuries) the history of the word â€Å"Pornography† starts in 1857, and is translated as (â€Å"description of prostitutes) from French â€Å"pornographie† and from Greek â€Å"pornographos† (one) writing of prostitutes, from porne prostitute, originally bought, purchased (with an original notion, probably of female slave sold for prostitution; related t o pernanai to sell, from PIE root per- to traffic in, to sell, cf. L. pretium price) + graphein to write. Originally used of classical art and writing; application to modern examples began 1880s. Main modern meaning salacious writing or pictures represents a slight shift from the etymology, though classical depictions of prostitution usually had this quality† The Greeks were writing and painting such frescos on the walls of their brothels in order to advertise the homes were women sold their â€Å"love† to Greeks for money. As it was mentioned earlier it is a difficult task to define Pornography legally and morally as an individual due to the fact that most people can not distinguish the difference between Pornography and Erotica, it is very common to consider that Erotica is a â€Å"liter† and more censored version of Pornography. According to the Etymology the meaning of the word Erotic appears in 1621, and can be translated from the Greek word â€Å"Eroticos† as â€Å"sexual love†. If to compare the meanings and the definitions of the words Pornography and Erotica it is quite clear that Erotica is explained as something more pure and emotional rather when pornography is shown as something more physical and dirty. But mostly the term Erotica or Erotic is usually used my the artists and the art industry itself, furthermore artists after creating piece of art that include nudity or uncensored words that describe sexuality justify their work by saying that their piece of art is an Er otic rather then Pornographic due to the fact that the art represents something meaningful and has a point or a story to tell, it was created as a thought and it is not made in order to sexually stimulate the viewer. But again it is all in the eyes of the viewer to decide whether it is erotic or pornographic display that they see. In the case of Jacob Ellis v. Ohio, 1964 U.S. Supreme Court Justice Potter Stewart said I shall not today attempt further to define the kinds of material I understand to be embraced within that shorthand description [hard-core pornography]; and perhaps I could never succeed in intelligibly doing so. But I know it when I see it and the motion picture involved in this case is not that. The words â€Å"But I know it when I see it† reinforce the point that it is up to the individual to decide whether it is pornography or not. The 21st Century Concerns Through the history of democracy freedom of expression and preoccupation always won the argument, the only time when it really straggled was when the debate was about the issue with the Pornography. The discussion over the engagement to permit the pornography takes place in countries among the most active broad issues in the field. From preoccupation with the limits of freedom of expression, freedom of religious and belief or alternatively, the separation between religion and state, questions about womens equal rights feminism, and more. Pornography, then, surprisingly, is deeply connected with it being a democracy. All these discussions about democracy are related and constitute an essential part of any such system. Democracy, if it wants to survive, requires providing an extensive freedom of expression also things that the community may not like to see, and allow its members to practice them and choose for them selves as long as it is not violates the rights of the others. Pornography also touches on gender, the countrys morality, crime, constitution and relations between the sexes. Regardless of the major issues and impacts that pornography has on children and women it is impossible and incorrect to prohibit pornography the answer is to restrict it to the levels where young children are protected and have no access to it, while the adults are free to have an access to pornography as long as it is not harming others. The only time when Pornography must be prohibit and banned is in the case of a child pornography and violent pornography. For the reasons that children are not able to protect them selves thats our duty as an adults to make sure children are away from those industries furthermore violent sex must be prohibit due to its nature. Adults that watch violent and extreme pornography are influenced by them and start to behave similarly. True it is not the video that makes a person to develop their personality and behavior, person is developed by their nature and nurture but those videos have an influence that might change ones views and believes by believing and accepting the porn as real. And the best argument for it is the example of advertising if images, videos and books are not influencing people then why people use advertisement? People are captured by the images and the human brain receives tons of images and information even when the person is not trying to obtain them. The main concern in the 21st century is the improvement and the development in the technology, the importance of the internet is major. People and most curtain children enjoy the virtual life due to the fact that internet is a free world where one can â€Å"slide† from one world to another as an anonymous. There is no need to prove your identity and your age. And those places on the web that do require identity prove such as the age confirmation it is very easy to lie or give false information and there is no way to check the reality of the one. The law protects the children and young people under the age of 18 in the real world by prohibiting the expose of the children to pornography and the prohibition to sell and provide pornographic materials to under aged young people and children. The law considers that a child would not be able to hide their age because those that sell the pornographic materials must check some ID that will prove their age. But that protection is not working on the virtual world at all. On the internet anyone and anytime can access pornographic materials such as videos and images for free and there is no need to provide any ID or proof of the real age of the viewer. Those websites that require providing an age by registering and providing the date of birth it is extremely simple to fool by typing a year of birth that is under the year of 1991. The problem in 21st century is the fact that the freedom of expression and speech is very important and can not be changed even if it means to protect our children from been exposed to Pornography. By prohibiting Pornography the rights of the creator and the consumer of the porn are violated, for the creator of porn because it is freedom of expressions, freedom of speech while for the consumer it is the right to enjoy the information or in the case of pornography materials. Yes if can be changed by arguing that children are more important then the right to create pornography but the problem here is not prohibition of pornography its the issue with the later circumstances that will follow the prohibition. In that can other people can try ban, limit or control other ways of freedom of speech and expression. One exception will lead to other exceptions and furthermore the freedom of the speech will be under the danger. For example in China the government decided to fight with pornography by banning and prohibiting Pornography totally including virtual pornography as well. All the major internet search bars such as Google yahoo and local Chinese tudou and beidu are blocked when ever users try to search for porn/pornography/sex. Not only are those, users that try to search those materials automatically appearing in the list of people that need to be under control. It might be a good idea to do so in a case of child pornography, in that way it would be easier to catch pedophiles but to block all the pornographic materials is not a correct way and to be honest impossible hackers can re open those websites secretly without any problems. It is a human nature to be curios and be interested in what is considered to be â€Å"forbidden† by restricting and prohibiting pornography materials the Chinese government is rising the curiosity of the youth to find out what is banned and why. Furthermore it can affect the youth in a bad way, some young people are shy and cannot consult with a doctor regards sex therefore they try to find out the information online. By blocking all the information regards sex the youth might not know the risk that it has (Chinese government is blocking not only pornography websites but any website or materials that include or describe sex and sexuality). Focus Of The Paper The paper will discuss and analyze a very interesting and important question of the Legal regulation of the Pornography in the 21st century in the United Kingdom. The question of the pornography is a complicated subject that has a major influence on the people. The paper is divided into chapters and each chapter deals with an individual subject or an issue that comes with the terms of the pornography. Introduction: the introduction to the subject of the pornography has three sections. First section deals with the definitions of the term pornography and the etymological definition of the word. Second section deals with the issues that occur with the pornography in the 21st century such as the freedom of speech and the first amendment that protects the pornography from been banned. Third section explains the focus of the paper by the chapters. The regulation of the pornography is divided into four sections. First section deals with the origins of the pornography with the historical evidence of the first pornographic illustrations, and the evolution of the pornography through the centuries with some famous pieces of art and literature that are defined as pornography. Not to be confused chapter two, section one deals with the background of the pornography itself and not the definition and meaning of the term â€Å"pornography† as it is in the first chapter, section one. Section two: The evolution of the pornography in the United Kingdom explains the influence and the development that lead pornography into United Kingdom, and illustrates the development of the pornography industry in the United Kingdom. Section three deals with the legal regulation of Pornography in United Kingdom, through the history. At last section four discusses the obscene publication act 1959, the power of the act and the bars that it created. Furthermore the section deals with the changes in the pornography industry and the legislations in the second half of the 20th century. The Danger Of The Pornography Is Divided Into Two Sections That Deal With The Harm Of The Pornography And The Influence It Has On The People. Section one deal with the issue of the children and pornography, the section discusses the danger and the influence that pornography has on the children, how the law protects the children from the pornography on the internet and in the everyday life. Section two deals with the topic of women and the pornography, how the pornography changed the views on women and the behavior of the men towards them, furthermore the section deals with the views of the feminists and the psychological studies that deal with the affect of the pornography on the violence towards women. Pornography and the morality is divided into two sections Section one deals with the changes that pornography brought into our lives, and the important problem that most of the countries deal with, the lost of the cultural and the traditional values influenced by the pornography. Section two of this chapter deals with the question of the pornography and the morality, the right of the one to be protected from been exposed to the pornographic materials, and furthermore how the religion deals with the rapid spread of the pornography industry. criticism and suggestions is divided into two sections. Section one deals with the criticism of the law towards pornography, the first amendment and the freedom of the speech that are used as a protective umbrella for the producers and the people that create the pornography industry and how the law protect ones right by limiting other persons rights. Last section of the chapter four deals with the proposals and suggestions that can and need to be done in order to protect the children from been exposed to the pornographic materials and to put a balance between freedom of speech and the pornography that is harmful, and finally to try to find a solution that will increase the protection from the pornography rather then to simply try to ban it. Pornography law cases and famous scandals This section illustrates the famous law cases and scandals that involved the topic of pornography in the United Kingdome and the rest of the world that influenced and lead to new legal terms. Conclusion The conclusion of the paper. The Regulation Of Pornography The Origins Of Pornography Pornography has its own story as well it turns out that the history of the Pornography is almost like a long history of mankind. The first pornography images actually appeared before the modern era, researchers discovered rock paintings demonstrating coitus and hunting between ancient people. It is slightly inaccurate to define those Petroglyphs as pornography based on the fact that the purpose of drawing those images is unknown. Human sexuality always documented throughout history, beginning with nude pictures on vases in Greece and Rome, where naked men and women were documented as an expression of beauty and admiration. In an ancient India scholar named Vatsyayana created the first Sanskrit text known as the â€Å"Kama Sutra† that explains the rules and manuals of sex, love and marriage. The Kama Sutra includes very detailed sexual intercourse images and explanations, Kama Sutra is the first and the most known pornographic text book, and furthermore Vatsyayana feared that the papers would disappear with time and decide to decorate the temples of Kajuharo with pornographic images of people having sex. With the beginning of the Christianity and the rise to the power, and with the fall of the Roman Empire, sex and sexuality started to be referenced variously. Species currently perceived as a source of sin, the cause that brought the expulsion of the first man from Eden. This moral concept came to serve as an alternative to the Roman liberated morality. In fact, with the change of human perception good creature has become a potential sinner, and that changed the attitude towards sex and it became anathema. St. Augustines writings reference woman and sex as the most negative kind. Augustine divides people into two the God-loving minority vast majority that love meat. People are uncontrollable with lust, especially when it comes to sex. Thus medieval Christianity tries literally to delete sex and sexuality. Sexuality will be used for breeding, and this only to prevent the extinction of the human kind. When sexuality becomes illegal the pornography began to fill in the space by creating rough sex charts and nudity illustrations. Throughout the middle Ages pornography was perceived as sexual sin, was addressed by the institutions accordingly. Sex ratio has not changed throughout this period until the Renaissance, which presented the female body as an expression of divine beauty with the paintings of many contemporary artists. Nudity and sex were further accepted as something artistic and beautiful rather then something sinful as it was earlier. It all changed during the days of Queen Victoria in Britain, which issued a number of laws prohibiting sexual publications. Ironically under this prohibition actually was published the most erotic newspaper written during that time called The Pearl, the pearl was an erotic newspaper that included numerous erotic stories and poems and was published in underground. Nudity and sexuality bursting again with the invention of the cinema, two years after the invention first time woman was undressed on the movie screens of French film Le BAIN from 1896. Early 20th century sexuality wins legitimacy and continues until the mid-thirties, when the American Film Committee takes laws and regulations that prohibit sexuality and nudity on the screen. But again, when sexuality is outlawed and prohibited it finds a way to get back in with some surprising ways. These constraints and prohibitions forced many screenwriters to come up with various ways of allusions to sex; known among them is the line: Is that a gun in your pocket or are you just happy to see me?† With the beginning of the sixties sexual revolution begins in the United States. This brings the bloom of magazines such as Playboy, first published in 1953 was the first mens magazine. Penthouse came out second after the Playboy in 1969, and the Hustler that surged into the world in1974. The last one reached the courts due to its contents, and the U.S. Supreme Court acquitted the magazine from its opponents claim with the right to the freedom of expression and preoccupation. Sexuality is among at last, and institutional recognition opens the legitimacy it has never won before. In the 20th century the pornography era grow and put its stamp in the business industry becoming part of normal modern life, with the inventions of the technology such as VCR and later on DVD In the 90th including the Internet breakthrough making pornography available to the home computers and a telephone lines it become so easy for a viewer to watch Pornography online. the access to pornography become easier and more private and that factor increase the demand for pornographic materials. It is very interesting how fast the civilization showed a progress, in 19th century people who were caught spreading pornography were brought to the court and had to pay fines. While today in the 21st century pornography is legalized almost in all countries with exception of Muslim states, India and China. The Evolution Of The Pornography In United Kingdom In addition to the legal definition, pornography was also at the centre of debates on elite and mass culture, and on the legitimacy of modernist literature, especially in interwar Britain. The nature of this debate evidently had its origins in the question of cultural authority and artistic value which preoccupied rational elites between the wars, and produced the disdainful Leavisite attitudes towards the masses catalogued by John Carey and D. L. LeMahieu. Though, this was not only à Ã‚ ° debate about culture. For sex reformers, it was also about new social practices. Before and after 1945, sex radicals not merely decried the form of mass culture, but also attacked à Ã‚ ° variety of practices of commercial leisure that were playing à Ã‚ ° constitutive role in the making of modern heterosexuality. These practices emerged from à Ã‚ ° culture of heterosexual courtship which was increasingly based on public spaces and commercial leisure. As the family was supplanted by commercial and public space as à Ã‚ ° site for courtship, new rules, practices and pathologies were associated with these spaces of leisure. New rituals such as ‘dating, pre-marital sex in the form of petting, the use of public and semi-public spaces like dance halls and parks as an arena for courtship, and à Ã‚ ° vibrant and expanding obscene print culture, all formed part of à Ã‚ ° complex of practices in opposition to which new standards of sexual knowledge and health were defined. For sex reformers, the principal problem with these new forms of expression was that they encouraged forms of sexuality that were inherently unsatisfiable. Sexually titillating material of all kinds in cinema, theatre, print culture and in social practices such as dating or petting threatened to arouse the sexual instincts outside à Ã‚ ° moral or ethical context. For conservatives, the threat posed by obscenity resulted from the lack of the former, for sex reformers, the latter. The result was à Ã‚ ° culture which was assumed to produce forms of sexual expression such as petting, homosexuality, masturbation or fantasy which were at best emotionally detached and at worst were foreign to the true nature of the sexual impulse. The ignorant sensuality of the masses and the passivity of their new recreations was one of the cliche ´s of interwar cultural debate. However, à Ã‚ ° characteristic attribute of sex radicalism was the conviction that such ignorance was not unavoidably the fault of the masses themselves, but resulted principally from British habits of suppression. The argument put so ferociously by D. H. Lawrence, that censorship eroticized confidentiality, and thereby distorted the sexual impulse, was widely adopted. Edward Charles, author of an investigation into the nature of the sexual desire, was only one author to put Lawrences case. He described à Ã‚ ° fixation on the veil of secrecy which was ‘very like fetishism and which ‘obsesses probably 70 per cent of the population. As à Ã‚ ° result, an ‘unsatisfiable lasciviousness characterized the treatment of sex in accepted culture, while most people were satisfied to ‘spiritually masturbate before the knees of chorus girls or the walnut-stain sun-tan of the athletic-looking gigolo. Part of the antidote to mass taste was the spread of expertise. George Bernard Shaw, stating ‘The need for expert opinion in sexual reform to the World League for Sexual Reform Congress in 1929, observed that the masses were intrinsically conservative and unable of self-realization. Brought up as they were in clouds of secrecy, ‘the mass of people . . . have no idea of liberty in this direction. On the contrary, he continued, they were ‘the most ferocious opponents of it. Democracy, in which this inert mass ruled, tended only to reinforce this tendency. Arguing along similar lines, the progressive journal Plan stated in 1935 that sex education must ‘eradicate the obscurantist view of sex through ‘the premeditated adoption of à Ã‚ ° scale of values based upon reason and knowledge as distinct from superstition. This was to be done through the institution of networks of expertise, through the provision of ‘easily available sources of information (e.g. public clinics, lectures, books) upon sexual questions. In spite of this indistinctness, it was usually accepted that controlling the trade in such ‘low material was both necessary and desirable. The predicament was that the current law was not precise enough. The extraction of the Well of Loneliness in 1928 focused the debate on the breakdown of the law to differentiate between ‘frank pornography and art. But in the wake of the trial, many supporters of Radclyffe Hall and D. H. Lawrence were happy to argue that ‘actual pornography should be appropriately policed. The publisher Eric Partridge was not the first to conclude, following the case, that the Obscene Publications Act permitted ‘genuine literature to be confused with worthless pornography. Partridge, whose firm published Norah Jamess Great War novel Sleeveless Errand which was banned in 1931, wrote that although literary censorship was foolish, ‘Few would care to countenance the importation of books and pictures so filthily pornographic that they horrify and nauseate. Equally those in literary circles, like the journalist Kingsley Martin, who was also à Ã‚ ° member of the FPSI (foundation for public service interpreting) board, argued: ‘Most people agree that it is à Ã‚ ° good thing to maintain à Ã‚ ° hold over the vendors of books and postcards whose only object is to excite passion. Selling Pornography, Selling Science Historians of the twentieth century have tended to think of the market in pornography as furtive, largely invisible and devoid of the ‘real erotic content and photographic detail that has defined contemporary culture. However, networks did exist which brought pornography directly and indiscriminately into the middle-class home via the postal service. The sale of erotic postcards and literary classics seems to have functioned in two ways. Customers were either approached by speculative mail shots or were reached through the careful compilation and sharing of names by distributors. By the 1930s, the other principal outlets for pornography were the bookshops in most major cities. Some pornography was also distributed by legitimate companies. The problem posed by this market for sex reformers was not just that canonical works of sexology, but also their own books, often circulated along the same networks. Not only did the nature of the Obscene Publications Act make this situation uniquely problematic, but some of the obscene genres which emerged at this time, such as pulp magazines, set themselves up as more digestible, accessible and successful rivals of more serious sex reform and education. It was, he argued, ‘perfectly legitimate for à Ã‚ ° reader to respond to writing which may be classified under the category of erotic realism. Since it was ‘entirely legitimate for any reader to be interested in such things, it was ‘equally healthy and legitimate for him to derive instruction and enlightenment from such works whether they be fiction, poetry, or strictly scientific studies. There was, though, an equality of value between these media because now, more than ever, ‘the man in the street may well, in fact, derive more enlightenment from an erotic novel than from à Ã‚ ° medical treatise. Yet for sellers, buyers and advertisers of these different genres, such equivalence had always been obvious, and had made up à Ã‚ ° vital element of the sexual life world of individual readers. à Ã‚  body of sexual knowledge, which linked therapeutics and instruction with à Ã‚ ° new ethos of lifestyle pornography, was formed therefore partly via the protracted but ultimately enthusiastic compromise of expert opinion with consumerism. The Legal Regulation Of Pornography In United Kingdom Before the 1960s, sex education was conceived by sex reformers to be à Ã‚ ° problematic business of ‘reforming an inadequate and possibly perverse public. For these reformers, the problem of sexuality in mass society was typified by the conjunction of two things: first, by à Ã‚ ° generalized and pervasive sexualized aesthetic, which was held by many intellectuals before and after 1945 to epitomize the incitements and repressions of popular culture; and second, by pornography and other obscene material. Although it has Been attempted, defining obscenity and pornography is impossible unless the protean nature of the terms is addressed. As à Ã‚ ° number of writers has demonstrated, the obscene is an empty category, usually legal and cultural, which can include anything and is not necessarily defined by its sexual content. Cultural battles to secure the meaning of pornography and obscenity are therefore inherent in the very formation of the terms as legal and cultural categories, and are best seen as varied attempts to establish à Ã‚ ° particular brand of artistic or moral authority. As Walter Kendrick has pointed out, the obs Legal Regulation of the Pornography in the 21st Century Legal Regulation of the Pornography in the 21st Century â€Å"The legal regulation of pornography in the 21 st century in the United Kingdom† Abstract: Pornography accompanied humanity for a long time though the expressions of pornography vary with time and technological progress. Previously, the pornography industry was concentrating mainly in painting, with the invention of printing the pornography was widespread, later on with the invention of photography it led to the dissemination of pornographic pictures, furthermore the invention of cinema led the pornographic films in a similar vein and now video web, soon joined the pornography industry. Proper social and legal attitude toward pornography is a controversial subject for many years, some think about pornography in terms of obscenity breakthroughs based on religion or morality and refuse to discuss the problem or give it attention, others think of pornography in terms of liberal sexual liberation and freedom of expression and catch it embodies basic rights that protect them from oppression and mute. In the 70th new sound was heard the female voice is also joining the feminist opposition camp, as demand for gender equality and concern for the status of women. The problem of pornography remained a debate that hadnt been decided and resolved; the subject of pornography raises difficult issues relevant theoretical and philosophical issues of ethics, morality and arouses many legal disputes. In the following paper I will review the phenomenon of pornography in the United Kingdom in the context of the definitions, legal aspects and the developments. Furthermore I will analyze the problems that come with the pornography, the harm and the influence that it has on the children and youth. The main argument of this paper is the use of the freedom of expression to protect pornography. Other not less important argument in this paper deals with the question â€Å"whether the society does enough to protect young children and the next generation from the harms of pornography?† And eventually I will conclude the topic by including some suggestions for the future. Introduction Defining Pornography One of the main problem with the pornography is the fact that it is not defined in a clear definitions that can refer to each person individually. According to the online vocabulary the pornography is defined as â€Å"The explicit depiction or exhibition of sexual activity in literature, films or photography that is intended to stimulate erotic, rather than aesthetic or emotional feelings†. Any material such as pictures, videos, CDs, books or even words that are sexually explicit qualifies as Pornography. The definition explains the meaning of the pornography by saying that pornography involves more physical feelings rather then the emotion feelings, but the definition is not explaining the meaning of the term â€Å"Sexually explicit†. Thats when the definition problem plays the key role, how can we define what sexually explicit is when each person sees and understand things differently based on their culture, religion and personal preferences and morals, in certain countries showing womans uncovered ankles is considered as sexual explicit while in most of the modern western countries bare ankles, arms or even belly is not considered as anything unusual, however even in modern society some materials still count as sexually explicit such as representation of sexual acts in a written or visual way and a demonstration of very intimate exposed body parts such as the genitalia . The contradiction here is that an important question can be a raised â€Å"Does medical book considered as pornography?† based on the fact that Medical books contain demonstration of exposed genitalia pictures. The answer is that anatomy medical books are not viewed as pornography because of its purpose, the purpose of the anatomy book is to educate and give necessary information to the medical student it does not involve entertainment or stimulation of the viewer. According to the Etymology (Study that deals with the history of the words and how their form and meaning have changed over the centuries) the history of the word â€Å"Pornography† starts in 1857, and is translated as (â€Å"description of prostitutes) from French â€Å"pornographie† and from Greek â€Å"pornographos† (one) writing of prostitutes, from porne prostitute, originally bought, purchased (with an original notion, probably of female slave sold for prostitution; related t o pernanai to sell, from PIE root per- to traffic in, to sell, cf. L. pretium price) + graphein to write. Originally used of classical art and writing; application to modern examples began 1880s. Main modern meaning salacious writing or pictures represents a slight shift from the etymology, though classical depictions of prostitution usually had this quality† The Greeks were writing and painting such frescos on the walls of their brothels in order to advertise the homes were women sold their â€Å"love† to Greeks for money. As it was mentioned earlier it is a difficult task to define Pornography legally and morally as an individual due to the fact that most people can not distinguish the difference between Pornography and Erotica, it is very common to consider that Erotica is a â€Å"liter† and more censored version of Pornography. According to the Etymology the meaning of the word Erotic appears in 1621, and can be translated from the Greek word â€Å"Eroticos† as â€Å"sexual love†. If to compare the meanings and the definitions of the words Pornography and Erotica it is quite clear that Erotica is explained as something more pure and emotional rather when pornography is shown as something more physical and dirty. But mostly the term Erotica or Erotic is usually used my the artists and the art industry itself, furthermore artists after creating piece of art that include nudity or uncensored words that describe sexuality justify their work by saying that their piece of art is an Er otic rather then Pornographic due to the fact that the art represents something meaningful and has a point or a story to tell, it was created as a thought and it is not made in order to sexually stimulate the viewer. But again it is all in the eyes of the viewer to decide whether it is erotic or pornographic display that they see. In the case of Jacob Ellis v. Ohio, 1964 U.S. Supreme Court Justice Potter Stewart said I shall not today attempt further to define the kinds of material I understand to be embraced within that shorthand description [hard-core pornography]; and perhaps I could never succeed in intelligibly doing so. But I know it when I see it and the motion picture involved in this case is not that. The words â€Å"But I know it when I see it† reinforce the point that it is up to the individual to decide whether it is pornography or not. The 21st Century Concerns Through the history of democracy freedom of expression and preoccupation always won the argument, the only time when it really straggled was when the debate was about the issue with the Pornography. The discussion over the engagement to permit the pornography takes place in countries among the most active broad issues in the field. From preoccupation with the limits of freedom of expression, freedom of religious and belief or alternatively, the separation between religion and state, questions about womens equal rights feminism, and more. Pornography, then, surprisingly, is deeply connected with it being a democracy. All these discussions about democracy are related and constitute an essential part of any such system. Democracy, if it wants to survive, requires providing an extensive freedom of expression also things that the community may not like to see, and allow its members to practice them and choose for them selves as long as it is not violates the rights of the others. Pornography also touches on gender, the countrys morality, crime, constitution and relations between the sexes. Regardless of the major issues and impacts that pornography has on children and women it is impossible and incorrect to prohibit pornography the answer is to restrict it to the levels where young children are protected and have no access to it, while the adults are free to have an access to pornography as long as it is not harming others. The only time when Pornography must be prohibit and banned is in the case of a child pornography and violent pornography. For the reasons that children are not able to protect them selves thats our duty as an adults to make sure children are away from those industries furthermore violent sex must be prohibit due to its nature. Adults that watch violent and extreme pornography are influenced by them and start to behave similarly. True it is not the video that makes a person to develop their personality and behavior, person is developed by their nature and nurture but those videos have an influence that might change ones views and believes by believing and accepting the porn as real. And the best argument for it is the example of advertising if images, videos and books are not influencing people then why people use advertisement? People are captured by the images and the human brain receives tons of images and information even when the person is not trying to obtain them. The main concern in the 21st century is the improvement and the development in the technology, the importance of the internet is major. People and most curtain children enjoy the virtual life due to the fact that internet is a free world where one can â€Å"slide† from one world to another as an anonymous. There is no need to prove your identity and your age. And those places on the web that do require identity prove such as the age confirmation it is very easy to lie or give false information and there is no way to check the reality of the one. The law protects the children and young people under the age of 18 in the real world by prohibiting the expose of the children to pornography and the prohibition to sell and provide pornographic materials to under aged young people and children. The law considers that a child would not be able to hide their age because those that sell the pornographic materials must check some ID that will prove their age. But that protection is not working on the virtual world at all. On the internet anyone and anytime can access pornographic materials such as videos and images for free and there is no need to provide any ID or proof of the real age of the viewer. Those websites that require providing an age by registering and providing the date of birth it is extremely simple to fool by typing a year of birth that is under the year of 1991. The problem in 21st century is the fact that the freedom of expression and speech is very important and can not be changed even if it means to protect our children from been exposed to Pornography. By prohibiting Pornography the rights of the creator and the consumer of the porn are violated, for the creator of porn because it is freedom of expressions, freedom of speech while for the consumer it is the right to enjoy the information or in the case of pornography materials. Yes if can be changed by arguing that children are more important then the right to create pornography but the problem here is not prohibition of pornography its the issue with the later circumstances that will follow the prohibition. In that can other people can try ban, limit or control other ways of freedom of speech and expression. One exception will lead to other exceptions and furthermore the freedom of the speech will be under the danger. For example in China the government decided to fight with pornography by banning and prohibiting Pornography totally including virtual pornography as well. All the major internet search bars such as Google yahoo and local Chinese tudou and beidu are blocked when ever users try to search for porn/pornography/sex. Not only are those, users that try to search those materials automatically appearing in the list of people that need to be under control. It might be a good idea to do so in a case of child pornography, in that way it would be easier to catch pedophiles but to block all the pornographic materials is not a correct way and to be honest impossible hackers can re open those websites secretly without any problems. It is a human nature to be curios and be interested in what is considered to be â€Å"forbidden† by restricting and prohibiting pornography materials the Chinese government is rising the curiosity of the youth to find out what is banned and why. Furthermore it can affect the youth in a bad way, some young people are shy and cannot consult with a doctor regards sex therefore they try to find out the information online. By blocking all the information regards sex the youth might not know the risk that it has (Chinese government is blocking not only pornography websites but any website or materials that include or describe sex and sexuality). Focus Of The Paper The paper will discuss and analyze a very interesting and important question of the Legal regulation of the Pornography in the 21st century in the United Kingdom. The question of the pornography is a complicated subject that has a major influence on the people. The paper is divided into chapters and each chapter deals with an individual subject or an issue that comes with the terms of the pornography. Introduction: the introduction to the subject of the pornography has three sections. First section deals with the definitions of the term pornography and the etymological definition of the word. Second section deals with the issues that occur with the pornography in the 21st century such as the freedom of speech and the first amendment that protects the pornography from been banned. Third section explains the focus of the paper by the chapters. The regulation of the pornography is divided into four sections. First section deals with the origins of the pornography with the historical evidence of the first pornographic illustrations, and the evolution of the pornography through the centuries with some famous pieces of art and literature that are defined as pornography. Not to be confused chapter two, section one deals with the background of the pornography itself and not the definition and meaning of the term â€Å"pornography† as it is in the first chapter, section one. Section two: The evolution of the pornography in the United Kingdom explains the influence and the development that lead pornography into United Kingdom, and illustrates the development of the pornography industry in the United Kingdom. Section three deals with the legal regulation of Pornography in United Kingdom, through the history. At last section four discusses the obscene publication act 1959, the power of the act and the bars that it created. Furthermore the section deals with the changes in the pornography industry and the legislations in the second half of the 20th century. The Danger Of The Pornography Is Divided Into Two Sections That Deal With The Harm Of The Pornography And The Influence It Has On The People. Section one deal with the issue of the children and pornography, the section discusses the danger and the influence that pornography has on the children, how the law protects the children from the pornography on the internet and in the everyday life. Section two deals with the topic of women and the pornography, how the pornography changed the views on women and the behavior of the men towards them, furthermore the section deals with the views of the feminists and the psychological studies that deal with the affect of the pornography on the violence towards women. Pornography and the morality is divided into two sections Section one deals with the changes that pornography brought into our lives, and the important problem that most of the countries deal with, the lost of the cultural and the traditional values influenced by the pornography. Section two of this chapter deals with the question of the pornography and the morality, the right of the one to be protected from been exposed to the pornographic materials, and furthermore how the religion deals with the rapid spread of the pornography industry. criticism and suggestions is divided into two sections. Section one deals with the criticism of the law towards pornography, the first amendment and the freedom of the speech that are used as a protective umbrella for the producers and the people that create the pornography industry and how the law protect ones right by limiting other persons rights. Last section of the chapter four deals with the proposals and suggestions that can and need to be done in order to protect the children from been exposed to the pornographic materials and to put a balance between freedom of speech and the pornography that is harmful, and finally to try to find a solution that will increase the protection from the pornography rather then to simply try to ban it. Pornography law cases and famous scandals This section illustrates the famous law cases and scandals that involved the topic of pornography in the United Kingdome and the rest of the world that influenced and lead to new legal terms. Conclusion The conclusion of the paper. The Regulation Of Pornography The Origins Of Pornography Pornography has its own story as well it turns out that the history of the Pornography is almost like a long history of mankind. The first pornography images actually appeared before the modern era, researchers discovered rock paintings demonstrating coitus and hunting between ancient people. It is slightly inaccurate to define those Petroglyphs as pornography based on the fact that the purpose of drawing those images is unknown. Human sexuality always documented throughout history, beginning with nude pictures on vases in Greece and Rome, where naked men and women were documented as an expression of beauty and admiration. In an ancient India scholar named Vatsyayana created the first Sanskrit text known as the â€Å"Kama Sutra† that explains the rules and manuals of sex, love and marriage. The Kama Sutra includes very detailed sexual intercourse images and explanations, Kama Sutra is the first and the most known pornographic text book, and furthermore Vatsyayana feared that the papers would disappear with time and decide to decorate the temples of Kajuharo with pornographic images of people having sex. With the beginning of the Christianity and the rise to the power, and with the fall of the Roman Empire, sex and sexuality started to be referenced variously. Species currently perceived as a source of sin, the cause that brought the expulsion of the first man from Eden. This moral concept came to serve as an alternative to the Roman liberated morality. In fact, with the change of human perception good creature has become a potential sinner, and that changed the attitude towards sex and it became anathema. St. Augustines writings reference woman and sex as the most negative kind. Augustine divides people into two the God-loving minority vast majority that love meat. People are uncontrollable with lust, especially when it comes to sex. Thus medieval Christianity tries literally to delete sex and sexuality. Sexuality will be used for breeding, and this only to prevent the extinction of the human kind. When sexuality becomes illegal the pornography began to fill in the space by creating rough sex charts and nudity illustrations. Throughout the middle Ages pornography was perceived as sexual sin, was addressed by the institutions accordingly. Sex ratio has not changed throughout this period until the Renaissance, which presented the female body as an expression of divine beauty with the paintings of many contemporary artists. Nudity and sex were further accepted as something artistic and beautiful rather then something sinful as it was earlier. It all changed during the days of Queen Victoria in Britain, which issued a number of laws prohibiting sexual publications. Ironically under this prohibition actually was published the most erotic newspaper written during that time called The Pearl, the pearl was an erotic newspaper that included numerous erotic stories and poems and was published in underground. Nudity and sexuality bursting again with the invention of the cinema, two years after the invention first time woman was undressed on the movie screens of French film Le BAIN from 1896. Early 20th century sexuality wins legitimacy and continues until the mid-thirties, when the American Film Committee takes laws and regulations that prohibit sexuality and nudity on the screen. But again, when sexuality is outlawed and prohibited it finds a way to get back in with some surprising ways. These constraints and prohibitions forced many screenwriters to come up with various ways of allusions to sex; known among them is the line: Is that a gun in your pocket or are you just happy to see me?† With the beginning of the sixties sexual revolution begins in the United States. This brings the bloom of magazines such as Playboy, first published in 1953 was the first mens magazine. Penthouse came out second after the Playboy in 1969, and the Hustler that surged into the world in1974. The last one reached the courts due to its contents, and the U.S. Supreme Court acquitted the magazine from its opponents claim with the right to the freedom of expression and preoccupation. Sexuality is among at last, and institutional recognition opens the legitimacy it has never won before. In the 20th century the pornography era grow and put its stamp in the business industry becoming part of normal modern life, with the inventions of the technology such as VCR and later on DVD In the 90th including the Internet breakthrough making pornography available to the home computers and a telephone lines it become so easy for a viewer to watch Pornography online. the access to pornography become easier and more private and that factor increase the demand for pornographic materials. It is very interesting how fast the civilization showed a progress, in 19th century people who were caught spreading pornography were brought to the court and had to pay fines. While today in the 21st century pornography is legalized almost in all countries with exception of Muslim states, India and China. The Evolution Of The Pornography In United Kingdom In addition to the legal definition, pornography was also at the centre of debates on elite and mass culture, and on the legitimacy of modernist literature, especially in interwar Britain. The nature of this debate evidently had its origins in the question of cultural authority and artistic value which preoccupied rational elites between the wars, and produced the disdainful Leavisite attitudes towards the masses catalogued by John Carey and D. L. LeMahieu. Though, this was not only à Ã‚ ° debate about culture. For sex reformers, it was also about new social practices. Before and after 1945, sex radicals not merely decried the form of mass culture, but also attacked à Ã‚ ° variety of practices of commercial leisure that were playing à Ã‚ ° constitutive role in the making of modern heterosexuality. These practices emerged from à Ã‚ ° culture of heterosexual courtship which was increasingly based on public spaces and commercial leisure. As the family was supplanted by commercial and public space as à Ã‚ ° site for courtship, new rules, practices and pathologies were associated with these spaces of leisure. New rituals such as ‘dating, pre-marital sex in the form of petting, the use of public and semi-public spaces like dance halls and parks as an arena for courtship, and à Ã‚ ° vibrant and expanding obscene print culture, all formed part of à Ã‚ ° complex of practices in opposition to which new standards of sexual knowledge and health were defined. For sex reformers, the principal problem with these new forms of expression was that they encouraged forms of sexuality that were inherently unsatisfiable. Sexually titillating material of all kinds in cinema, theatre, print culture and in social practices such as dating or petting threatened to arouse the sexual instincts outside à Ã‚ ° moral or ethical context. For conservatives, the threat posed by obscenity resulted from the lack of the former, for sex reformers, the latter. The result was à Ã‚ ° culture which was assumed to produce forms of sexual expression such as petting, homosexuality, masturbation or fantasy which were at best emotionally detached and at worst were foreign to the true nature of the sexual impulse. The ignorant sensuality of the masses and the passivity of their new recreations was one of the cliche ´s of interwar cultural debate. However, à Ã‚ ° characteristic attribute of sex radicalism was the conviction that such ignorance was not unavoidably the fault of the masses themselves, but resulted principally from British habits of suppression. The argument put so ferociously by D. H. Lawrence, that censorship eroticized confidentiality, and thereby distorted the sexual impulse, was widely adopted. Edward Charles, author of an investigation into the nature of the sexual desire, was only one author to put Lawrences case. He described à Ã‚ ° fixation on the veil of secrecy which was ‘very like fetishism and which ‘obsesses probably 70 per cent of the population. As à Ã‚ ° result, an ‘unsatisfiable lasciviousness characterized the treatment of sex in accepted culture, while most people were satisfied to ‘spiritually masturbate before the knees of chorus girls or the walnut-stain sun-tan of the athletic-looking gigolo. Part of the antidote to mass taste was the spread of expertise. George Bernard Shaw, stating ‘The need for expert opinion in sexual reform to the World League for Sexual Reform Congress in 1929, observed that the masses were intrinsically conservative and unable of self-realization. Brought up as they were in clouds of secrecy, ‘the mass of people . . . have no idea of liberty in this direction. On the contrary, he continued, they were ‘the most ferocious opponents of it. Democracy, in which this inert mass ruled, tended only to reinforce this tendency. Arguing along similar lines, the progressive journal Plan stated in 1935 that sex education must ‘eradicate the obscurantist view of sex through ‘the premeditated adoption of à Ã‚ ° scale of values based upon reason and knowledge as distinct from superstition. This was to be done through the institution of networks of expertise, through the provision of ‘easily available sources of information (e.g. public clinics, lectures, books) upon sexual questions. In spite of this indistinctness, it was usually accepted that controlling the trade in such ‘low material was both necessary and desirable. The predicament was that the current law was not precise enough. The extraction of the Well of Loneliness in 1928 focused the debate on the breakdown of the law to differentiate between ‘frank pornography and art. But in the wake of the trial, many supporters of Radclyffe Hall and D. H. Lawrence were happy to argue that ‘actual pornography should be appropriately policed. The publisher Eric Partridge was not the first to conclude, following the case, that the Obscene Publications Act permitted ‘genuine literature to be confused with worthless pornography. Partridge, whose firm published Norah Jamess Great War novel Sleeveless Errand which was banned in 1931, wrote that although literary censorship was foolish, ‘Few would care to countenance the importation of books and pictures so filthily pornographic that they horrify and nauseate. Equally those in literary circles, like the journalist Kingsley Martin, who was also à Ã‚ ° member of the FPSI (foundation for public service interpreting) board, argued: ‘Most people agree that it is à Ã‚ ° good thing to maintain à Ã‚ ° hold over the vendors of books and postcards whose only object is to excite passion. Selling Pornography, Selling Science Historians of the twentieth century have tended to think of the market in pornography as furtive, largely invisible and devoid of the ‘real erotic content and photographic detail that has defined contemporary culture. However, networks did exist which brought pornography directly and indiscriminately into the middle-class home via the postal service. The sale of erotic postcards and literary classics seems to have functioned in two ways. Customers were either approached by speculative mail shots or were reached through the careful compilation and sharing of names by distributors. By the 1930s, the other principal outlets for pornography were the bookshops in most major cities. Some pornography was also distributed by legitimate companies. The problem posed by this market for sex reformers was not just that canonical works of sexology, but also their own books, often circulated along the same networks. Not only did the nature of the Obscene Publications Act make this situation uniquely problematic, but some of the obscene genres which emerged at this time, such as pulp magazines, set themselves up as more digestible, accessible and successful rivals of more serious sex reform and education. It was, he argued, ‘perfectly legitimate for à Ã‚ ° reader to respond to writing which may be classified under the category of erotic realism. Since it was ‘entirely legitimate for any reader to be interested in such things, it was ‘equally healthy and legitimate for him to derive instruction and enlightenment from such works whether they be fiction, poetry, or strictly scientific studies. There was, though, an equality of value between these media because now, more than ever, ‘the man in the street may well, in fact, derive more enlightenment from an erotic novel than from à Ã‚ ° medical treatise. Yet for sellers, buyers and advertisers of these different genres, such equivalence had always been obvious, and had made up à Ã‚ ° vital element of the sexual life world of individual readers. à Ã‚  body of sexual knowledge, which linked therapeutics and instruction with à Ã‚ ° new ethos of lifestyle pornography, was formed therefore partly via the protracted but ultimately enthusiastic compromise of expert opinion with consumerism. The Legal Regulation Of Pornography In United Kingdom Before the 1960s, sex education was conceived by sex reformers to be à Ã‚ ° problematic business of ‘reforming an inadequate and possibly perverse public. For these reformers, the problem of sexuality in mass society was typified by the conjunction of two things: first, by à Ã‚ ° generalized and pervasive sexualized aesthetic, which was held by many intellectuals before and after 1945 to epitomize the incitements and repressions of popular culture; and second, by pornography and other obscene material. Although it has Been attempted, defining obscenity and pornography is impossible unless the protean nature of the terms is addressed. As à Ã‚ ° number of writers has demonstrated, the obscene is an empty category, usually legal and cultural, which can include anything and is not necessarily defined by its sexual content. Cultural battles to secure the meaning of pornography and obscenity are therefore inherent in the very formation of the terms as legal and cultural categories, and are best seen as varied attempts to establish à Ã‚ ° particular brand of artistic or moral authority. As Walter Kendrick has pointed out, the obs

Pressures Of Society :: essays research papers

Pressures of Society Our behavior usually is controlled and decided by us, but that is not always the case. As we saw in the play Marty's behavior was not always his own decision. The behavior of any person can be greatly manipulated by society. There are a few points in the play and in normal life that can prove this statement is true. Marty's actions were greatly influenced by the views of his family and friends. Marty was forced into many actions by the people around him. A person will consider what other tells them as much as what they believe in themselves. Marty was always a quiet man that didn't like going out, it was his family and friends that told him to do so. It was his decision, but it wasn't his choice. Marty did not want to go anywhere yet he did just because his friends and family told him so. It is not always easy to refuse such thing, Marty had to make a decision and decided he should go out. By analyzing the pros and cons he made a decision, basing it on knowledge and commonsense, after all going out is not a bad thing. But what if there is no decision? What if the person is forced to do something that he does not agree with? This can be blamed on the pressure of society as well, sometimes you do something that you know you don't want just because someone is forcing you. Marty showed such behavior many times throughout the play. It was not always a conscious decision every time that Marty did what he did, he based many of his decisions just on what his friends and family told him. It is this play that made me think, that our decisions and choices are based on what we think just as much as what others think. It is not always your choice and it is not always what you want that you do. For example I am writing this essay because someone told me so, and it is not my choice either to do it or not, I can decide if to do so but that doesn't leave with other options. Some actions people do are subconsciously inputted by society, that means that there was no specific someone that told you what to do, yet you still do it because society has set this standard. This type of action can be seen in anyone at every given day. It can range from the simpler things like dressing up, and looking good all

A Game of Thrones Chapter Seventy-two

Daenerys The land was red and dead and parched, and good wood was hard to come by. Her foragers returned with gnarled cottonwoods, purple brush, sheaves of brown grass. They took the two straightest trees, hacked the limbs and branches from them, skinned off their bark, and split them, laying the logs in a square. Its center they filled with straw, brush, bark shavings, and bundles of dry grass. Rakharo chose a stallion from the small herd that remained to them; he was not the equal of Khal Drogo's red, but few horses were. In the center of the square, Aggo fed him a withered apple and dropped him in an instant with an axe blow between the eyes. Bound hand and foot, Mirri Maz Duur watched from the dust with disquiet in her black eyes. â€Å"It is not enough to kill a horse,† she told Dany. â€Å"By itself, the blood is nothing. You do not have the words to make a spell, nor the wisdom to find them. Do you think bloodmagic is a game for children? You call me maegi as if it were a curse, but all it means is wise. You are a child, with a child's ignorance. Whatever you mean to do, it will not work. Loose me from these bonds and I will help you.† â€Å"I am tired of the maegi's braying,† Dany told Jhogo. He took his whip to her, and after that the godswife kept silent. Over the carcass of the horse, they built a platform of hewn logs; trunks of smaller trees and limbs from the greater, and the thickest straightest branches they could find. They laid the wood east to west, from sunrise to sunset. On the platform they piled Khal Drogo's treasures: his great tent, his painted vests, his saddles and harness, the whip his father had given him when he came to manhood, the arakh he had used to slay Khal Ogo and his son, a mighty dragonbone bow. Aggo would have added the weapons Drogo's bloodriders had given Dany for bride gifts as well, but she forbade it. â€Å"Those are mine,† she told him, â€Å"and I mean to keep them.† Another layer of brush was piled about the khal's treasures, and bundles of dried grass scattered over them. Ser Jorah Mormont drew her aside as the sun was creeping toward its zenith. â€Å"Princess . . . † he began. â€Å"Why do you call me that?† Dany challenged him. â€Å"My brother Viserys was your king, was he not?† â€Å"He was, my lady.† â€Å"Viserys is dead. I am his heir, the last blood of House Targaryen. Whatever was his is mine now.† â€Å"My . . . queen,† Ser Jorah said, going to one knee. â€Å"My sword that was his is yours, Dacnerys. And my heart as well, that never belonged to your brother. I am only a knight, and I have nothing to offer you but exile, but I beg you, hear me. Let Khal Drogo go. You shall not be alone. I promise you, no man shall take you to Vaes Dothrak unless you wish to go. You need not join the dosh khaleen. Come east with me. Yi Ti, Qarth, the JadeSea, Asshai by the Shadow. We will see all the wonders yet unseen, and drink what wines the gods see fit to serve us. Please, Khaleesi. I know what you intend. Do not. Do not.† â€Å"I must,† Dany told him. She touched his face, fondly, sadly. â€Å"You do not understand.† â€Å"I understand that you loved him,† Ser Jorah said in a voice thick with despair. â€Å"I loved my lady wife once, yet I did not die with her. You are my queen, my sword is yours, but do not ask me to stand aside as you climb on Drogo's pyre. I will not watch you burn.† â€Å"Is that what you fear?† Dany kissed him lightly on his broad forehead. â€Å"I am not such a child as that, sweet ser.† â€Å"You do not mean to die with him? You swear it, my queen?† â€Å"I swear it,† she said in the Common Tongue of the Seven Kingdoms that by rights were hers. The third level of the platform was woven of branches no thicker than a finger, and covered with dry leaves and twigs. They laid them north to south, from ice to fire, and piled them high with soft cushions and sleeping silks. The sun had begun to lower toward the west by the time they were done. Dany called the Dothraki around her. Fewer than a hundred were left. How many had Aegon started with? she wondered. It did not matter. â€Å"You will be my khalasar,† she told them. â€Å"I see the faces of slaves. I free you. Take off your collars. Go if you wish, no one shall harm you. If you stay, it will be as brothers and sisters, husbands and wives.† The black eyes watched her, wary, expressionless. â€Å"I see the children, women, the wrinkled faces of the aged. I was a child yesterday. Today I am a woman. Tomorrow I will be old. To each of you I say, give me your hands and your hearts, and there will always be a place for you.† She turned to the three young warriors of her khas. â€Å"Jhogo, to you I give the silver-handled whip that was my bride gift, and name you ko, and ask your oath, that you will live and die as blood of my blood, riding at my side to keep me safe from harm.† Jhogo took the whip from her hands, but his face was confused. â€Å"Khaleesi, † he said hesitantly, â€Å"this is not done. It would shame me, to be bloodrider to a woman.† â€Å"Aggo,† Dany called, paying no heed to Jhogo's words. If I look back I am lost. â€Å"To you I give the dragonbone bow that was my bride gift.† It was double-curved, shiny black and exquisite, taller than she was. â€Å"I name you ko, and ask your oath, that you should live and die as blood of my blood, riding at my side to keep me safe from harm.† Aggo accepted the bow with lowered eyes. â€Å"I cannot say these words. Only a man can lead a khalasar or name a ko.† â€Å"Rakharo,† Dany said, turning away from the refusal, â€Å"you shall have the great arakh that was my bride gift, with hilt and blade chased in gold. And you too I name my ko, and ask that you live and die as blood of my blood, riding at my side to keep me safe from harm.† â€Å"You are khaleesi,† Rakharo said, taking the arakh. â€Å"I shall ride at your side to Vaes Dothrak beneath the Mother of Mountains, and keep you safe from harm until you take your place with the crones of the dosh khaleen. No more can I promise.† She nodded, as calmly as if she had not heard his answer, and turned to the last of her champions. â€Å"Ser Jorah Mormont,† she said, â€Å"first and greatest of my knights, I have no bride gift to give you, but I swear to you, one day you shall have from my hands a longsword like none the world has ever seen, dragon-forged and made of Valyrian steel. And I would ask for your oath as well.† â€Å"You have it, my queen,† Ser Jorah said, kneeling to lay his sword at her feet. â€Å"I vow to serve you, to obey you, to die for you if need be.† â€Å"Whatever may come?† â€Å"Whatever may come.† â€Å"I shall hold you to that oath. I pray you never regret the giving of it.† Dany lifted him to his feet. Stretching on her toes to reach his lips, she kissed the knight gently and said, â€Å"You are the first of my Queensguard.† She could feel the eyes of the khalasar on her as she entered her tent. The Dothraki were muttering and giving her strange sideways looks from the corners of their dark almond eyes. They thought her mad, Dany realized. Perhaps she was. She would know soon enough. If I look back I am lost. Her bath was scalding hot when Irri helped her into the tub, but Dany did not flinch or cry aloud. She liked the heat. It made her feel clean. Jhiqui had scented the water with the oils she had found in the market in Vaes Dothrak; the steam rose moist and fragrant. Doreah washed her hair and combed it out, working loose the mats and tangles. Irri scrubbed her back. Dany closed her eyes and let the smell and the warmth enfold her. She could feel the heat soaking through the soreness between her thighs. She shuddered when it entered her, and her pain and stiffness seemed to dissolve. She floated. When she was clean, her handmaids helped her from the water. Irri and Jhiqui fanned her dry, while Doreah brushed her hair until it fell like a river of liquid silver down her back. They scented her with spiceflower and cinnamon; a touch on each wrist, behind her ears, on the tips of her milk-heavy breasts. The last dab was for her sex. Irri's finger felt as light and cool as a lover's kiss as it slid softly up between her lips. Afterward, Dany sent them all away, so she might prepare Khal Drogo for his final ride into the night lands. She washed his body clean and brushed and oiled his hair, running her fingers through it for the last time, feeling the weight of it, remembering the first time she had touched it, the night of their wedding ride. His hair had never been cut. How many men could die with their hair uncut? She buried her face in it and inhaled the dark fragrance of the oils. He smelled like grass and warm earth, like smoke and semen and horses. He smelled like Drogo. Forgive me, sun of my life, she thought. Forgive me for all I have done and all I must do. I paid the price, my star, but it was too high, too high . . . Dany braided his hair and slid the silver rings onto his mustache and hung his bells one by one. So many bells, gold and silver and bronze. Bells so his enemies would hear him coming and grow weak with fear. She dressed him in horsehair leggings and high boots, buckling a belt heavy with gold and silver medallions about his waist. Over his scarred chest she slipped a painted vest, old and faded, the one Drogo had loved best. For herself she chose loose sandsilk trousers, sandals that laced halfway up her legs, and a vest like Drogo's. The sun was going down when she called them back to carry his body to the pyre. The Dothraki watched in silence as Jhogo and Aggo bore him from the tent. Dany walked behind them. They laid him down on his cushions and silks, his head toward the Mother of Mountains far to the northeast. â€Å"Oil,† she commanded, and they brought forth the jars and poured them over the pyre, soaking the silks and the brush and the bundles of dry grass, until the oil trickled from beneath the logs and the air was rich with fragrance. â€Å"Bring my eggs,† Dany commanded her handmaids. Something in her voice made them run. Ser Jorah took her arm. â€Å"My queen, Drogo will have no use for dragon's eggs in the night lands. Better to sell them in Asshai. Sell one and we can buy a ship to take us back to the Free Cities. Sell all three and you will be a wealthy woman all your days.† â€Å"They were not given to me to sell,† Dany told him. She climbed the pyre herself to place the eggs around her sun-and-stars. The black beside his heart, under his arm. The green beside his head, his braid coiled around it. The cream-and-gold down between his legs. When she kissed him for the last time, Dany could taste the sweetness of the oil on his lips. As she climbed down off the pyre, she noticed Mirri Maz Duur watching her. â€Å"You are mad,† the godswife said hoarsely. â€Å"Is it so far from madness to wisdom?† Dany asked. â€Å"Ser Jorah, take this maegi and bind her to the pyre.† â€Å"To the . . . my queen, no, hear me . . . â€Å" â€Å"Do as I say.† Still he hesitated, until her anger flared. â€Å"You swore to obey me, whatever might come. Rakharo, help him.† The godswife did not cry out as they dragged her to Khal Drogo's pyre and staked her down amidst his treasures. Dany poured the oil over the woman's head herself. â€Å"I thank you, Mirri Maz Duur,† she said, â€Å"for the lessons you have taught me.† â€Å"You will not hear me scream,† Mirri responded as the oil dripped from her hair and soaked her clothing. â€Å"I will,† Dany said, â€Å"but it is not your screams I want, only your life. I remember what you told me. Only death can pay for life.† Mirri Maz Duur opened her mouth, but made no reply. As she stepped away, Dany saw that the contempt was gone from the maegi's flat black eyes; in its place was something that might have been fear. Then there was nothing to be done but watch the sun and look for the first star. When a horselord dies, his horse is slain with him, so he might ride proud into the night lands. The bodies are burned beneath the open sky, and the khal rises on his fiery steed to take his place among the stars. The more fiercely the man burned in life, the brighter his star will shine in the darkness. Jhogo spied it first. â€Å"There,† he said in a hushed voice. Dany looked and saw it, low in the east. The first star was a comet, burning red. Bloodred; fire red; the dragon's tail. She could not have asked for a stronger sign. Dany took the torch from Aggo's hand and thrust it between the logs. The oil took the fire at once, the brush and dried grass a heartbeat later. Tiny flames went darting up the wood like swift red mice, skating over the oil and leaping from bark to branch to leaf. A rising heat puffed at her face, soft and sudden as a lover's breath, but in seconds it had grown too hot to bear. Dany stepped backward. The wood crackled, louder and louder. Mirri Maz Duur began to sing in a shrill, ululating voice. The flames whirled and writhed, racing each other up the platform. The dusk shimmered as the air itself seemed to liquefy from the heat. Dany heard logs spit and crack. The fires swept over Mirri Maz Duur. Her song grew louder, shriller . . . then she gasped, again and again, and her song became a shuddering wail, thin and high and full of agony. And now the flames reached her Drogo, and now they were all around him. His clothing took fire, and for an instant the khal was clad in wisps of floating orange silk and tendrils of curling smoke, grey and greasy. Dany's lips parted and she found herself holding her breath. Part of her wanted to go to him as Ser Jorah had feared, to rush into the flames to beg for his forgiveness and take him inside her one last time, the fire melting the flesh from their bones until they were as one, forever. She could smell the odor of burning flesh, no different than horseflesh roasting in a firepit. The pyre roared in the deepening dusk like some great beast, drowning out the fainter sound of Mirri Maz Duur's screaming and sending up long tongues of flame to lick at the belly of the night. As the smoke grew thicker, the Dothraki backed away, coughing. Huge orange gouts of fire unfurled their banners in that hellish wind, the logs hissing and cracking, glowing cinders rising on the smoke to float away into the dark like so many newborn fireflies. The heat beat at the air with great red wings, driving the Dothraki back, driving off even Mormont, but Dany stood her ground. She was the blood of the dragon, and the fire was in her. She had sensed the truth of it long ago, Dany thought as she took a step closer to the conflagration, but the brazier had not been hot enough. The flames writhed before her like the women who had danced at her wedding, whirling and singing and spinning their yellow and orange and crimson veils, fearsome to behold, yet lovely, so lovely, alive with heat. Dany opened her arms to them, her skin flushed and glowing. This is a wedding, too, she thought. Mirri Maz Duur had fallen silent. The godswife thought her a child, but children grow, and children learn. Another step, and Dany could feel the heat of the sand on the soles of her feet, even through her sandals. Sweat ran down her thighs and between her breasts and in rivulets over her cheeks, where tears had once run. Ser Jorah was shouting behind her, but he did not matter anymore, only the fire mattered. The flames were so beautiful, the loveliest things she had ever seen, each one a sorcerer robed in yellow and orange and scarlet, swirling long smoky cloaks. She saw crimson firelions and great yellow serpents and unicorns made of pale blue flame; she saw fish and foxes and monsters, wolves and bright birds and flowering trees, each more beautiful than the last. She saw a horse, a great grey stallion limned in smoke, its flowing mane a nimbus of blue flame. Yes, my love, my sun-and-stars, yes, mount now, ride now. Her vest had begun to smolder, so Dany shrugged it off and let it fall to the ground. The painted leather burst into sudden flame as she skipped closer to the fire, her breasts bare to the blaze, streams of milk flowing from her red and swollen nipples. Now, she thought, now, and for an instant she glimpsed Khal Drogo before her, mounted on his smoky stallion, a flaming lash in his hand. He smiled, and the whip snaked down at the pyre, hissing. She heard a crack, the sound of shattering stone. The platform of wood and brush and grass began to shift and collapse in upon itself. Bits of burning wood slid down at her, and Dany was showered with ash and cinders. And something else came crashing down, bouncing and rolling, to land at her feet; a chunk of curved rock, pale and veined with gold, broken and smoking. The roaring filled the world, yet dimly through the firefall Dany heard women shriek and children cry out in wonder. Only death can pay for life. And there came a second crack, loud and sharp as thunder, and the smoke stirred and whirled around her and the pyre shifted, the logs exploding as the fire touched their secret hearts. She heard the screams of frightened horses, and the voices of the Dothraki raised in shouts of fear and terror, and Ser Jorah calling her name and cursing. No, she wanted to shout to him, no, my good knight, do not fear for me. The fire is mine. I am Daenerys Stormborn, daughter of dragons, bride of dragons, mother of dragons, don't you see? Don't you SEE? With a belch of flame and smoke that reached thirty feet into the sky, the pyre collapsed and came down around her. Unafraid, Dany stepped forward into the firestorm, calling to her children. The third crack was as loud and sharp as the breaking of the world. When the fire died at last and the ground became cool enough to walk upon, Ser Jorah Mormont found her amidst the ashes, surrounded by blackened logs and bits of glowing ember and the burnt bones of man and woman and stallion. She was naked, covered with soot, her clothes turned to ash, her beautiful hair all crisped away . . . yet she was unhurt. The cream-and-gold dragon was suckling at her left breast, the green-and-bronze at the right. Her arms cradled them close. The black-and-scarlet beast was draped across her shoulders, its long sinuous neck coiled under her chin. When it saw Jorah, it raised its head and looked at him with eyes as red as coals. Wordless, the knight fell to his knees. The men of her khas came up behind him. Jhogo was the first to lay his arakh at her feet. â€Å"Blood of my blood,† he murmured, pushing his face to the smoking earth. â€Å"Blood of my blood,† she heard Aggo echo. â€Å"Blood of my blood,† Rakharo shouted. And after them came her handmaids, and then the others, all the Dothraki, men and women and children, and Dany had only to look at their eyes to know that they were hers now, today and tomorrow and forever, hers as they had never been Drogo's. As Daenerys Targaryen rose to her feet, her black hissed, pale smoke venting from its mouth and nostrils. The other two pulled away from her breasts and added their voices to the call, translucent wings unfolding and stirring the air, and for the first time in hundreds of years, the night came alive with the music of dragons. THE END